Hi FreePizza!
What a great surprise to see your REC take over this lesson.
It's definitely a very beautiful lesson and a proof of what it means the magic of details. That's why usually slow lessons require deep analysis.
I think it's awesome that you watched Guido's explanation and you focused on trying to play behind the beat.
Let's point out some of the details.
I always recommend using the same picking direction as is in the lesson for many reasons:
- are respected the techniques of the lesson and we can give you a higher grade. Also, replacing some alternate picking with only downstroke picking or adding more picks than they are in a lick, will change completely the entire feel of the lesson.
- each pick is very well thought before and is never made randomly. Using the same picking direction, some particular licks become more than easy for playing.
- will help you to achieve some specific colors. There are spots in this lesson where, on the very fast slides, if you use an upstroke, add more strength when you pick and keep the pick in a straight position (no angled), you can achieve that sharp sound like Guido.
Vibrato - you already know that this technique is your weakness, but with a little more work I'm sure you can improve it. Be careful at the each type of vibrato. The ones which have variable speed require additional attention. Also, you have spots where you are out of tune (mostly when you execute vibrato with an upward motion). A downwards oscillation will give you more control over pitch.
0:24 - to make this down bend to sound as in the lesson, you should do it faster. Don't stand too much between the main note and the purpose bent note because you fail the right timing and you also give an out of tune kind of feeling.
0:41 - 0:43 - from the timing point of view, this lick is not played good.
0:49 - this part is not played correctly. First, you need to play the release of the bend faster to keep a good timing. Also, when you release the bend in A (without the pick), you need to hit the A note again.
0:52; 1:10 - don't forget to play the raking in these spots. It's a very awesome detail.
0:54 - the last G note (E higher string/15 fret). This note should be played very shortly. Be careful, because after you play the note, you need to mute all the strings immediately. It's a cool and easy detail.
1:02 - wrong notes. On G string, you played A and A# instead of G# and A.
1:15 - that bends are totally out of pitch
I hope you will fix some details and you will come up with a second take. I would really love to see a new approach from you.
For today you get a 6 from me.